Tuesday, 29 May 2012

Tasters...




“To know one’s own state is not a simple matter. One cannot look directly at one’s own face with one’s own eyes, for example. One has no choice but to look at one’s reflection in the mirror. Through experience, we come to believe that the image is correct, but that is all.”

 

  
“Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals.
       But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.”



“Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.”
“I laughed. “You’re too young to be so … pessimistic,” I said, using the English word.
“Pessi-what?”
“Pessimistic. It means looking only at the dark side of things.”
“Pessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. “I’m only sixteen,” she said, “and I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.”



Book One, First Sentence: 
"When the phone rang I was in the kitchen, boiling a pot full of spaghetti and whistling along with an FM broadcast of the overture to Rossini’s The Thieving Magpie, which has to be the perfect music for cooking spaghetti."

Blurb...and Directions...

Back Cover:
Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.
In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat. Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.

The questions below are just a guide to start the conversation for Book One: The Thieving Magpie (up to p172 Vintage edition). Answer those that interest you, or ask any other questions that you may have about the novel. You're welcome to post your thoughts or comments any time while reading. You may also respond to the comments and questions of other participants.... 
Shaharazade, Alia, Amir & Majdouline are our main players for Book One (which means they are each expected to help lead the discussion and post a minimum of 6 separate comments on this section by the end of June...) The July line-up is: Nelson, Kenza, Arrito, Akshay (Book Two p176-338), and for August: Raphaela, Mehdi, Siham, Hamza (Book Three p 341 - end). p.s. Darienne, since you are new to the class, please just chip in as and when you can....

You are all welcome to share your personal responses - thoughts, memories, connections - as you read, and to post links, illustrations, quotes,... whatever seems relevant. However, particular credit will go to those of you who make literary observations, addressing Murakami's narrative technique, style, characterization, themes, use of language etc. Comparisons with The Assault and/or The Stranger are also valuable. Finally, remember that for this IB component, 'Works in Translation', culture and context are also important to consider.
 
Questions to get you started:What do you think of the story so far?
What are your initial impressions of Toru Watanabe?
What do you think of the other characters we're introduced to in Book One?
There are quite a few unusual names and nicknames for major and minor characters. Do you think the choice of names is important?
Do you have any favourite passages, or scenes, in Book One?
How does Lieutenant Mamiya's story of the war in Manchuria fit with the rest of the narrative?
What do you think is the significance of the empty box that Toru gets from Mr. Honda (at the end of Book One)?
What do you think of the translation? Does it read smoothly?
Are you looking forward to reading on? Any guesses on where the story will go from here?
(Your question here...)